History of
A Kappella Munda

– the History, as seen by Jo Randell.

30.7.03


Back in 1994, I was itching to sing with lots of others but not in a formal choir. I had done lots of singing within the folk scene, in Geraldton and at the Hills Folk Club; and it was that homegrown, wholesome style which appealed. My friend Jeanette Foote was travelling from Kalamunda each week to Fremantle to ‘One Voice’ rehearsals and singing the praises of Jim Fisher and the gang in Freo. It sounded just the sort of choir that would suit Kalamunda.

I had known Jim since I was a teenager and knew him to be unusual and charismatic but wondered if the ego might be an issue. Jeanette assured me "No". ( Jim later admitted there is a problem with most musicians … Their ‘I’s are too close together. ) A phone call to Jim led to the first meeting of the Kalamunda offshoot of One Voice. He said "You get the people and I’ll come up on Saturday afternoons."

There were 96 people on the first day, June 11th 1994. Such was the pull of Jim’s mug shot in the local paper … and lots of phone calls. For 3 weeks we changed venues, before securing the old kindy opposite the Post Office which the Shire had done up and called the Town Square Community Hall. The acoustics were helpful and the location perfect. We’ve been there ever since.

‘One Voice’ had been going for 18months by this time (co-founder, Maria Wilson, had moved on) and the choir graciously allowed Jim to share with us 6 of their songs. Sharing songs can be a delicate business, as some readers will know. As it turns out, these 6 songs are known very widely now in Perth and Freo as people have carried them to other choirs:

FREEDOM IS COMING, BAMTATA, ROLL JORDAN, SOON I WILL BE DONE

LEAN ON ME and SWING DOWN CHARIOT

Choosing a name for our group was interesting. ‘Hills Angels’ was popular but already taken. ‘Vox Humana’ scored well but Candy Gordon’s idea of 'A Kappella Munda' won the ballot convincingly. We performed with ‘One Voice’ at the Kalamunda ZigZag Festival (120 of us) and again at the 1995 open-air Christmas concert in the Town Square Gardens. It was a thrill to have a shared repertoire up to performance standard in 6 months.

When Jim let us know in the following January that he was not well and couldn’t lead us any more, the choir was stunned. Just how unwell Jim was became clearer the following year. Many of us remember the beeper mounted on a mic stand at Faibridge Festival while he performed with the Sensitive New Age Cowpersons. Months later the message came and Jim received the donated liver that he needed to carry on.

When Jim left A Kappella Munda two thirds of the people left also. He had been demanding and intense and very funny. We had had a ball. His unconventional conducting was inspiring. His ear for pitch, tone and balance were brilliant.

About 25 people continued, with me leading. This was a temporary arrangement and a big challenge. Morale was a bit low and nobody could do it like Jim. Workshops with Fay White from Melbourne and gospel guru, Tony Backhouse from Sydney, provided material, some of which we still perform :

STILL BELIEVING, SING TILL THE POWER OF THE LORD COMES DOWN

SNJE NJE NJE, UKELELE, THE STORM IS PASSING OVER and

UNDER THE FULL MOONLIGHT.

Another song from that time and the first arrangement for me, was VOICES. It is still a favourite and something of a signature song for A Kappella Munda.

By mid 1995 ‘One Voice’ was being directed by Digby Hill and Jenny Simpson. We approached Digby to lead us as well. That was 9 years ago. We have all changed and grown in confidence and musicality. Digby’s gentle leadership has been great for our choir. Socially we are a very cohesive group. People come and go and some of the newer people have brought wonderful energy and personality to the choir. Having Digby’s bouncy, reliable and kind presence out front has been a huge factor in our success as a community choir. His knowledge of Early Music and African songs has played an important part in forming A Kappella Munda’s character. We also sing many of his arrangements of contemporary songs and a couple of his own compositions.

People find great comfort from singing each week. The joy that springs from singing with all sorts of people who feel likewise, leads to a great sense of community.

In the beginning we had a policy of not frightening people with notation. We wanted anybody off the street to come and have a weekly sing without feeling they had to read music or pass an audition. Now we have the same attitude but over time we’ve agreed that it is sometimes a lot more efficient if someone has the notes written down! Many people are much happier with the notes.

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We gratefully acknowledge the support provided by the Shire of Kalamunda , which has made this website possible.

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